Tag Archives: RPG

Unbridled Shenanigans in the Dungeons of Dredmor

Posted on by thre3zekiel

dredlogoIn anticipation of Steampunk Empires by the same developer as this title, I decided to give another dungeon run, for old-time’s sake.  Dungeons of Dredmor is another game that I wish existed when I was a kid.  In a way, this game did exist when I was a kid, but this is a modern reincarnation of those games it takes after whose places it takes over.  Surely, it couldn’t have existed when I was younger considering many of the elements of what makes this game fun, but that is ok.  We have it now, so let the shenanigans begin!

Take Zork: Grand Inquisitor, Diablo, a dash of Lovecraft, and the combined shenanigans of Ghostbusters, Firefly, Monty Python and you are still only getting started.  Dungeons of Dredmor is a pixelated masterpiece that splices click-to-kill dungeoneering with the humor of a by-gone era.  Then they add in all kinds of fun and exciting features that make this a game you are sure to play for hours on end.  Its pixel graphics and isometric view allow this title to have the complexity of gameplay that make it one of my top “do not uninstall” games.  Its procedural dungeon designs, loot and enemies also make it fun in a way that only slaughtering hordes of monsters in a dark, dank dungeon can deliver.

When you start you make your character, and the options to do so are pretty mind-boggling.  The three standard types of character are there: Mage, Rogue and Warrior.  But every character you create will be a combination of all three, whatever the division of powers.  As you level up, this division will fluctuate between the classes.  There are 45 skills that you have to choose from at the start, after you iron out your difficulty setting.  These range from polearms, shields and wand lore to archaeology, mathemagic and emomancy.  I wish I had time to talk about all them, but I don’t.  My favorite combination so far starts me off as a rogue that drives toward a magician as he levels.  When you select your skills, you have to pick apart the grand list of 45 fucking abilities and whittle it down to your 7 favorite.  At first you might pick all the neat ones, but that will get you killed.  You might avoid crafting, but that will also get you killed.  My favorite combination so far is definitely Staff-fighting, wand lore, fungal arts, alchemy, tinkering, rogue scientist and archaeology.

I like this combo because the abilities cooperate well.  First off, I just like the staves.  They tend to add defense and crushing, so it makes for a fun fight, if they get close.  My main skill is wand lore.  This is a tough one to focus on, though, because you will find yourself out of wand parts (and inventory space) by the 3rd level.  So, you will need something to back yourself up when enemies close in.  Fungal arts and alchemy work together well as alchemy lets you draw resources from various fungi that you cultivate on the bodies of the dead.  This gets you a number of good secondary weapons right at the start.  Tinkering is good, even if only for the bombs you can create.  These fuckers will take out an entire room, and there are mines too, if that is what you’re into.  Rogue scientist is a steampunk mish-mosh of tinkering, wand lore and alchemy that gives you some good hold-out moves and catches the bonuses of those three disciplines and lets you benefit from them.  Archaeology is a good way to get some miscellaneous experience.  Killing monsters is good and well, but I am not looking to be that guy that is grinding his ass off to get to a place where he can fight further down.  To put it into perspective, using Archaeology I have gotten to level 9 and I just started floor 3.  Yea.

These skills extrapolate out to the character’s 28 stats.  Yea, 28.  So, you can see how diverse in abilities you can make your character.  My character is a rogue-based wizard, essentially, and as such has remarkable dodge and counter-strike.  He also critical hits and gets haywire hits (magical crits) on a regular basis.  Of course if he gets hit, he dies fast, but I can make life potions, cultivate healing shrooms and there is also food as a final fall back.  I don’t like to let enemies get close enough to need fight hand-to-hand.  But when I do, I beat them with a big fucking stick.  Literally.  That is what the animation looks like and I love it.  Only thing about that I take issue with is I feel there should be a more face-crunching sound effect, you know?

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… will it keep me safe?

Once you get down to the dungeons you will notice that there is a vast variety of enemies from diggles and undead aethernauts to evil vegetables and flying, spell-casting skulls.  It is mind-boggling all the foes you will flay, but it never gets old.  Especially when you hit the zoos.  These are rooms filled wall-to-wall with enemies.  They could be as small as a former monster-collector’s personal burial chamber or as vast as ancient cisterns.  In the end, you will shit yourself when you bust the door down and pray you have some good AoE attacks.  For me I blast them with my acid wands, save up my Odious Puffballs and toss in a couple acid flasks.  Mosolov Cocktails in this game (basically molotov cocktails) also leaving a lingering fireball that other enemies walk through.  Bombs will also help out and kill giant holes in the crowd, but it is seriously just a monster convention in there.  IF you successfully complete the zoo without dying, you will receive a powerful loot item, too.

Each floor has its own theme, too, but you will always see the diggles.  These little rubber-nosed bird-creatures are omnipresent in the dungeons, so Dredmor must’ve personally subsidized them.  Either that or they breed like cockroaches and act like subterranean pigeons, infiltrating every crack and crevice they can find and reproducing like dirty, little, drill-nosed rabbits.  Dredmor, in case I forgot to mention him, is the ultimate boss of the dungeons.  I think I am supposed to kill him at the end, but I haven’t seen that guy yet.  When the game first came out, you had to beat the game before you could load after death. Yep.  So when you died, the game would delete all your save files for a specific character.  It was infuriating, but the rush after getting to the lower floors was unparalleled.  Today I was able to play after dying once, so either the DLC that was released allowed me this feature, or I beat down to a level where I could unlock said feature.

Who ordered the large anchovy pizza? Was it you Greg? You fucking DICK! We all agreed on pepperoni!

Who ordered the large anchovy pizza? Was it you Greg? You fucking DICK! We all agreed on pepperoni!

This game references almost every facet of popular sub-culture that it will make your head spin.  It has more video-game/movie references than every season of Big Bang Theory and Family Guy combined, past present and future.  There are Zelda and Braid jokes, Dragon Ball Z get one in, Firefly quotes echo through the dungoens, skill trees mimic the life and times of Indiana Jones, stats are named after Pirates of the Carribbean slang and I swear there are Monty Python jokes lingering around each corner.  You spend your days counting Zorkmids and you character’s portrait even decays exactly as in the original Wolfenstein 3d at the same levels of health degredation.  Conan the barbarian, emos, vegans: you name it.  It’s fucking in there.  There are also a number of puns that mostly only the British should get, but they’re obvious enough to be funny to us Yanks, too.  Overall, this game’s treatment of sub-culture and popular culture references are so far-reaching, expansive and awesome that this really is a gamer-culture work of art.  Every time I play, I find more references and jokes, too.  It is truly remarkable.

Then there are the little things that fill in the corners of this piece quite nicely.  Everything else is procedurally generated, why not the side-quests?  You pray at the shrine of Inconsequentia, the Goddess of Side-Quests.  Place your weapons on the Anvil of Krong for nice upgraded loot items.  Gallivant through the hordes of monsters wearing a roadcone and liederhosen.  I can’t say anything comedic.  I don’t need to.  This game is hilarious as hell all on its own.  Play through this title and you will be equal parts amazed, entertained and pissed that you missed so much free time indoors.  Buy Dungeons of Dredmor complete on Steam now for the summer sale!  That shit only runs you 2.93$ for the DLC that isn’t fucking free!  Just go get it.  This is one that you’ll be glad you bought.

Among all the games I have played so far, this one shines on top of the pile like a star, but it still has its rough spots.  What is it this time?  I played this game for FOUR FUCKING HOURS and only got to the 3rd floor.  You have to be ready to commit a good weekend to this game just to get far enough to even fucking smell Dredmor!  I have owned this title for literal goddamn YEARS and I have played it on and off and never ONCE saw the guy.  That fucking perma-death element went a long way toward keeping me away, but now that I can reload after death, I should be able to get that bastard.  Of course now I feel like a piece of shit that can’t hack the lower dungeons without dying once!  And what did I get killed by in my last play on that deep, dark level in an alternate dimension? Hmmm?  A GODDAMNED BUFFED-OUT DIGGLE!  The mickey-mousey comedic enemy of the ENTIRE FUCKING GAME!  You have no idea how hard and loud I raged.  I was in the army at that point and my roommates thought I was giving birth to a fucking watermelon out my ass.  AGH! Whatever, I am killing me some fucking buff-assed diggles this time.  Ain’t nothing gonna stop my fungus-eating, stick wielding, wand-sliging Titus Cezarius!

I have never felt more satisfied in this game than the first time I saw this screen, shaking and drenched with the blood of my enemies.

I have never felt more satisfied in this game than the first time I saw this screen, shaking and drenched with the blood of my enemies.

 

 

How to Survive, MacGyver vs. zombies

Posted on by thre3zekiel

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By this time everyone is getting tired of killing zombies.  From pixelation to paradise, we’ve all smashed more brains and likewise been ripped apart more times than should really be socially acceptable.  Why is this? Well, zombies are safe enemies.  They are person-like enough to be fun to kill, but are clearly monsters, so the deranged soccer-moms of America can’t really blame zombie-slaying for the downfall of western civilization.  More safe than zapping aliens, as that would just be xenophobia and in some cases their belief systems are just echoes of our own xenophobic issues…<cough> Halo </cough>  Yes, zombies are our little squishy rage receptacles, and H2S takes the love of zombie-slaying to isometric levels.

Among the first things that I noticed when starting this game up is its insistence upon issues controls at me like I am holding an xbox controller.  Also, it’s an isometric action RPG.  Like Legend of Zelda with less magic, more zombies and gallons of blood.  Your character of choice washes up on the shore of some island with a random asshole nearby coughing and gasping for air.  Me, I would have just taken the stick he gave me and bashed his brains out with it.  One less zombie to fight later, but it seems this game is more merciful than I am.  You leave the guy to his fate.  Christ.  I would have taken the stick to the head option.

Also, after getting that guy some pain-killing plants to munch on, he gives you a stick.  He even says you won’t survive without it!  Lovely.  Now the only thing keeping me from the precipice of doom is a flimsy piece of wood.  You’ll use it initially to bash in zombie brains, then later you use sticks for crafting.  Alongside some other detritus and pickups, you will find these floating books left behind by a mystical russian sage in a welder’s mask named Kovac.  It is pretty clear that Kovac is a few screws short as he had so perfected the art of survival that he now writes manuals chapter by chapter and leaves them across the various islands you’ll explore.  All this is done for the benefit of anyone else that might end up on his zombie-infested archipelago.  O, yea, this takes place on some tropical islands, but don’t worry, there are no luxury hotels or rap-singers.  Just a russian guy and some zombies. O, and the odd survivor or two.

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She looks royally fucked. I met a couple gameover screens putting my back against a wall.

Probably the best element of this game is the crafting system.  Your character runs around grabbing items pieces of useless junk, such as harpoon grips and air tanks, and uses them to build shotguns and pistols which fire screws, nuts and bolts.  Hence why I reference the 80’s tv show MacGyver: the original “guy who could go into the woods with a q-tip and build a shopping mall”.  My personal favorite was the boomerang made of two sharpened bones you tied together.  That just screams terrible, messy death.  Especially when you meet some of the bosses in this game.  Shit, man!  I was playing solo, but you can easily play a local game (on your fucking computer) and run around with another player blasting zombies.  At some points you’ll be glad to have that other player.  Numerous times alone at night I have had to flip around while fighting off a horde of zombies with just a bow to shine my flashlight at the night zombies, which hate the light.  That stalls them long enough to kill a couple more enemies attacking your front.  Such frantic gameplay, however, is easily avoided by bringing a buddy.  Sure, there are other survivors in this game, but most of them are either content hiding on their personal island and writing manuals for everyone else or they die terribly.  There is also the off chance they are just disabled, but yea, not helpful.  One NPC that follows you around just seems to be the guy that knows where everything is.  That’s Ramon, and he is obviously someone’s latino grandfather.  A little on the stereotypical side, he calls you papa at some points and uses other spanish terms.  It gets uncomfortable after a while.

Your character progresses to meet the challenges presented by leveling up.  Each kills, direct or otherwise, gets you exp and those points get you skills, like making crossbows or better aim.  There are skills oriented toward survival, too.  Mostly oriented toward the necessity mechanics of the game.  There are three things you need to do in this game: eat, drink and sleep.  Neglecting any of them results in your demise.  You can hunt wild animals, but carrying bloody predictably makes you a zed-magnet and you have to cook it before consumption.  There are wild fruits, which replenish thirst and hunger but also give you diarrhea if you eat too many.  Then there are the roots.  You can find things like cassavas everywhere, but these are gross and replenish only hunger, but they keep you from dying and you can eat all of them with no negative effects.  For water the game places freshwater wells throughout the game and allows you to fill empty bottles with the water, for drinking on the go.

Then there is sleep.  Your character can only sleep at designated locations throughout the game.  Little safehouses built by Kovac and out fitted with beds, a savepoint and a blaring loud siren.  O, yea, this fucker goes off and attracts EVERYTHING in the vicinity.  Not to mention the safehouse starts spitting out zombies at you, too!  So you have to run around in circles zapping gut-munchers and praying you can survive.  The third safehouse you come to was truly fucking irritating, too.  I only have my little homemade pistol and a bow.  I must have missed some goodies, though so I am heading back a bit to see if I can make a shotgun at least.

If that doesn’t sound frustrating enough, some of the fucking zombies have ARMOR on.  Seriously!  You can shoot them all you want with your pistol, but that shit ain’t getting through!  For those guys you need to get out your bow, focus, woo sah woo sah and release.  Meanwhile, a ton of little brainbugs or regular zombies (which get progressively harder to kill) are munching on your spleen.  At some points the game feels more like a test of your ability to cycle through you inventory, but going into your inventory quickly became my method of choice as it pauses the game.  I use this time to address issues of near-death, hunger or thirst.  There are also zombies that explode, giant fucking run-for-your-life-and-hide-like-a-bitch zombies that take forever to die.

"You say 'woo sah' to me one more time, jack, and I shoot you in the dick."

“You say ‘woo sah’ to me one more time, Jack, and I shoot you in the dick.”

Did I mention the natural problems you might run into while living in the middle of nowhere?  You might get charged down by a wild animal defending the watering hole.  Or perhaps you take a swim in a piranha infested swamp?  Yep, the longer you stay, the more you realize this island was set up by a secret government organization to vet the pool of 80’s action hero hopefuls.  There are all kinds of neat elements, though.  You can pick plants and use them to make power potions, craft poultices for injuries and other neat shit.  I would say get this game, but only if survival amongst zombies while building flamethrowers and crossbows intrigues you.  As of this article, Steam has this game on sale for 3.74$.  The DLC’s aren’t on sale, but altogether they cost only 8.94$, so this is definitely worth your money.  The sale is only good until June 29th, 2014, though, so get on that shit!

The game itself tells you how many days you’ve survived, which is neat and all, but I cannot help but feel like this game was supposed to go in another direction.  I have been right about this sort of thing before, too.  It seems like this game was supposed to throw you into a nasty, rough environment and force you to survive on your own.  No storytime, no Kovac and no one to help you but your own gut instinct.  I also feel like they might have allowed you to build your own base at some point, but the game never gets there.  Instead you just sort of run around picking up Kovac’s breadcrumbs and helping your mexican grandfather accomplish his dream of flying a plane.

There is one thing that pisses me off about this title, too.  That being the zombie tropes.  Every game that has zombies wants the game to get tougher than just making you fight the same bland living dead all the time.  Sure, they could just make them tougher to kill, but without an external reason making them tougher to kill (ie armor or helmets) it is a little cheesy.  Thus, since Left 4 Dead every fucking zombie killing game has had the same stupid fucking exploding zombies!  Just change the fucking skin texture and hope no one notices.  Then there is this large, pain-in-the-ass-to-kill tank zombie that charges you down. Seriously, people, if someone can’t get a little more original, I might just stop buying anything with fucking zombies in it.

Blade of Rage, Scorching Preview

Posted on by thre3zekiel

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Ready for Rage? An indie title currently vying for votes, Blade of Rage is a throwback to RPG’s of a bygone era, but with a few slick surprises.  If you remember hours of play time with the early Final Fantasy titles or got down in the dark place with Avernum: Escape from the Pit, then you’re the target audience.  Your main character is a spell-sword called Rage the Blade, and alongside his travel companions, Gudu the Groundbreaker and Vespa the Viperess, you get some serious slaying going on.  I’ve just played through the alpha demo and I’m ready to grab a handful of steel and start Ragin’!

After contacting the sole developer, “Lone Wolf” Don, I downloaded the alpha demo and got playing.  A few minor adjustments for my personal play-style and I was off to Oswar.  Now, if you go into this adventure expecting the standard fantasy RPG romp, you’ve got another thing coming.  I went up against my first few foes and nearly got my ass handed to me.  So up front this game has you on your toes.  Not to mention, the enemies can take a beating.  At first I thought “Oh, shit! How am I supposed to win this?” but then I got a handle on the abilities of my team mates and started laying my foes out.  Immediately I was taken back to that “front lines” fantasy rpg feeling.  I was Rage, a spell-sword issuing orders to each of his comrades.  And that is how it feels.  Every fight, every time; you are thrown into a dire struggle against vicious monsters hell-bent on your destruction.  If you attack when you should have blocked or used a Cureall potion when you should’ve cast cure, you’re going to feel it.  If not sooner, then later.

One of the features of this game is the ability for the player to choose whether to experience random encounters or not.  Anyone who has played through Final Fantasy will know that when you are low on health, potions, money and mana, the last thing you want on the way to the inn is a horde of zombies harrying your escape.  This toggle feature allows you to slip back to the inn for some much needed R & R.  I know I needed it one or twice, and I am not afraid to say it saved my ass!

So, after taking shelter in a ruin, I was off to find the Stone’s Throw Inn, when I happened across a dwarf.  I helped him out of his predicament and found another feature of the game that made me giddy. When you play a video game, you want to slip, if only for a minute, into the skin of another person.  And I don’t know about you, but I want that someone to be considerably more badass than I am!  That being said, Battle Action Response allows you to take full control of the fight rather than letting the computer roll out the results.  So, when you dictate your fighter to take off someone’s head, you just tap the action key at the right time and you can get off a little extra damage and the increased chance of a critical hit.  That might not sound all too crazy at first, but, trust me, when you start getting off critical hits and extra damage, you’ll feel the thrill of battle like you’re swinging the sword yourself.

Later on, my new travelling companion in tow, I was venturing through a dark and deadly forest.  Suddenly some spiders jumped out at my crew and ate a deer that wandered onto the path.  After laughing furiously, I realized that a battle was about to commence.  Suddenly a bar appeared with a sliding sword icon.  Recalling the game’s briefing on the Battle Advantage feature, I prepared for the fight.  With Battle Advantage turned on, you can get a chance to attack first in the fight, as long as you can press the action key in time.  Though my bellowing laughter left me slightly flat-footed, I was still able to secure that pre-emptive attack for my adventurers.  It has little elements like this, which, when added to games, make for a more immersive and entertaining adventure for the player, and this game certainly has the player in mind.

Giant razor sword of death! I choose you!

Giant razor sword of death! I choose you!

Another surprising element in this game is the ability to fast travel, and for those of you rolling your eyes and saying something about “Elder Scrolls”, shut your damn mouth!  Fast travel in this is quite different.  A world map appears and you move your character from one place to the next rather than walking them through every twist and turn of the forest.  Similar to the Final Fantasy world map travel when you have a Chocobo or an airship.  And as in The Elder Scrolls, you’re unable to use this view to get to places you haven’t been yet, but once you’ve traveled there, it’s fair game.

Aside from that, the art for the game is enjoyably original, the animations are flashy and fun and the music had me jamming along at some points.  In a boss battle the music started as the usual fight song but then the music died off after a bit.  At first I thought it was just Alpha-tester’s blues, but then that shit came back and it was rowdy!  I started jamming out as I dealt out heavy crits and killing blows.  The background even started to oscillate a bit, adding a little more tension to a fight with a fearsome foe.

 

Come to the Stone's Throw Inn: we won't throw a rock at your head!

Come to the Stone’s Throw Inn: we won’t throw a rock at your head!

Games like this are a refreshing part of the indie gaming scene and are an example of why I love Steam.  Steam via Steam Greenlight gives solo developers the opportunity to share retro-gaming experiences with fresh new stories in a format we’ve come to love and respect.  Without Greenlight, a number of worthy experiences would never even have the chance to see daylight, and this is one I hope gets voted up into release.  Granted, as an alpha demo, it isn’t without its issues, but there are more highly esteemed games with developing teams selling their games before they’re even finished.  With one man spinning this thread before our very eyes, it’s clear that this game is a work of heart.  Interested in learning more about Blade of Rage? Go to the Blade of Rage website or the Steam Greenlight BoR page and unleash your Rage!

Every gem has its flaws and there is one big flaw that I have to address here.  I am violently opposed to the game’s treatment of Dwarfs!  That’s right! Dwarfs!  First off, this token-racial character isn’t even a full-fledged Dwarf!  He’s a half-breed human-dwarf, not that there is anything wrong with racial mixing, but he spends the rest of the game trying to make up for that fact!  He says ‘lad’ and ‘arse’ and even seems to worship a goddamn rock!  Dwarfs might live and work and play underground, but worshipping rocks?  Reminds me of a racially distinct first for a major game franchise involving animal slavery… Just call him a stunty, you rat bastard.  Rage would be the name of my life, not just the name of a game!