Obludia, Story of a Dungeon-Running Madman and His Little Dog Too!

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Demon are among the safest enemies to place in a videogame.  They are a generic representation of evil and they are often pretty ugly, so you don’t even have to give them red blood.  Demons can be smacked, berated and blamed for all the problems in the game because, simply stated, many people do the same thing in real life.  Obludia is a game that embraces these old-fashioned theories, employing a retro arena-shooter aesthetic to make you rage with overpower fury.

Now, before you grab Satan by the balls, you have to set up controls.  This is something I am becoming more and more frustrated with, and maybe it’s because I still have to install the appropriate software, but the standard for gaming right now is to use the mouse and keyboard or the Xbox controller as input.  Personally, I prefer the DualShock4 since I plan to get a PS4.  This is not supported by most games, especially indie games.  The simple fact is, it likely takes extra time to code in and the xbox is a microsoft product, so I surmise that means the Xbox controller is more natural for the PC to pick up and easier to code for.  I am not a developer, but can’t people at least start adding it as an update later on?  Moving on.

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Uhh… hey guys! Is this the place for synchronized chanting practice?

You play the role of a masked, fedora-sporting bandit (?) whose sole purpose in life is to kill and plunder.  Then again, you spend most of your time swatting flies and killing rats that it feels a little more like a crossbow-wielding extermination service.  Granted, you also have a fair number of zombies, blobs and other classic enemies.  Fans of Smash TV will likely enjoy the hell out of this title.  Your numerous weapons all have a particular poor-man’s Van Helsing feel.  They are a sword, crossbow, pistol, shotgun, machinegun, mines, TNT and magic.  Though I’ve had trouble getting the magic to work properly, this is mostly because I spend a lot of time avoiding enemies.  I consider TNT to be pretty magical, though.  One of the biggest issues with this game is that you have to sort through your weapons in one direction.  You scroll through by rolling the mouse wheel one way, but backing it up doesn’t scroll your weapons back.  It’s frustrating and requires me to pay too much attention to my current weapon.

Again, while enemies start off basic and typical, they slowly ramp up in difficulty.  The challenge is the number of foes you face.  In an arena there will usually be four doors that will spew enemies into the room.  Sometimes one is boarded up, sometimes there are only two, but they typically come from all directions in droves.  Luckily, there is help.

zombotron 2014-08-21 00-07-45-48

First there is the shopkeeper.  Now, I am not sure if he eats bean burritos all the fucking time, but his standard animation has him squint before farting every couple second.  I shit you not, he must shit his pants.  Couped up in a small, windowless dungeon room full of enemies is likely just baking that shit into the walls.  And there is a shop every 3 – 5 floors, too!  And you go down, not up!  That means these burrito-munching cretins are farting up a storm with the reek permeating upward through the dungeon.  I cannot imagine the smell, but now I know why the main character is wearing a mask, although he should probably have sprung for an oxygen tank instead.

The shopkeepers each have a shop full of breakable items, so even if you don’t have much gold when you get there from slaughtering foes, you can get plenty on arrival.  You can even stab the shopkeeper with your sword until he farts out a modest pouch of burrito-money.  That’s right, we’re trying to save you calories you nasty fucker.  The first time you join Bob the Shopkeeper, he has a dog named Kiwi.  Adorable.  Grab Kiwi, cause you’ll need him.  In a fight Kiwi will grab money and drops and bring them to you, once you start getting hit, Kiwi loses his shit like the incredible fucking hulk, grows Popeye arms and starts man-handling enemies.  This phenomenon is seen in the above screencap.  I guess Kiwi thought Bob’s farts were suffocating the character.

There is also a little bat in a cage.  If you free him, he’ll follow you around and fire a purple.. uh.. bat fireball at enemies.  I guess the little guy was some kind of mage leftover from a race of super-intelligent, mystical, pacifist bats that once inhabited this dungeon.  Or a game mechanic.  That’s also possible, I suppose.

So THAT'S where all the extra-bean burritos went!

So THAT’S where all the extra-bean burritos went!

Another noteworthy feature of Obludia are the bosses.  They are inventive, difficult and remind me of every boss in A Link to the Past.  Honestly, though, they are tough, and you need to employ all of your skills running around like a terrified maniac launching TNT and firing shotgun rounds at these guys.  I didn’t have many issues with Obludia outside the lack of DS4 support, somewhat slow character movement and frustrating inventory mechanics.

In order to remedy some of those problems, there are a number of pickups that you can get to accommodate.  There is the berserker doll, which makes you slap on some woad and go ballistic.  You shoot faster, swing your sword harder and take on a generally more sociopathic demeanor.  Pickup the wooden cross to kill everything in the room or you can grab the swift feet pickup to run much faster – great for enemy avoidance.  I don’t know why the main character can’t just do more squats, but hey, whatever works.

The music is enjoyable, and not ear-grating at all.  The sounds are a menagerie of old-school game sounds, but the graphics look more like a flash game off of Newgrounds.  Indeed, the game itself has a “new-retro” feel that is definitely appealing.  To make this a really awesome play, however, some serious dusting up would need to be performed.  One peculiarity is that the game starts in windowed mode which can be changed to fullscreen.  I would have no desire to put it in windowed mode if it wasn’t so irritating to fucking exit the game.  Seriously.  Fullscreen it then exit the game.  There is a “thanks for playing” screen that makes you look at it until it disappears, and it is there for what feels like too long.  We see the words, enjoy the ambiance and get the gist.  Thanks.  You’re welcome.  Can I move on dammit?  It just makes the game feel like a overly-attached girlfriend that is like “WHY ARE YOU LEAVING IF WE BOTH APPRECIATE EACHOTHER SO MUCH!?!?!?!?”  I know it is a fairly trivial thing, but it does get irritating when you want to rage quit a game and can’t just log out from fullscreen mode rapidly.  Honestly, simple solution.  Cut five seconds off it. Done.  Otherwise, go buy this game if retro arena-shooters are your thing.  It’s fun, has a heightened sense of gaming tension and a sort of humor that permeates the game like Bob’s bean-burrito farts.  8.99$ on Steam feels a bit much, but they seem to be making regular updates to fix issues with the game, so hopefully the price will encourage the devs to make necessary changes, and maybe even add a little extra content!

Double-Up Discussion: Catch Aliens, Free-Diving Hunter

In the spirit of moving forward, it’s time to get back to the games.  Today I will be discussing two iOS games because my wife would like her iPad back.  Granted, there is a reason I haven’t been able to keep off the thing, and these two games are it.  There is a lot I have to say about these titles, though so strap in.  This might get a little on the long side.

 

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First up is Catch the Aliens.  Just from the logo here, you get a distinct sense of awesome.  I don’t want to burst that bubble, but you do play glorified dog-catcher.  That is alright, though, since the game itself is actually a lot of fun.  There are two modes of play: Casual Level-Based and Competitive Endless.  Now, these terms are advanced language, and in gamer-speak they translate to “singleplayer” and “multiplayer”.  In what I am coining as the “singleplayer” mode, you play by yourself and clear a space station room by room.  In the second mode, or “multiplayer”, you compete with friends on Facebook for scores.

Now, as you play, you are confronted with room after room of fairly cute aliens that scamper around and cause a nuisance.  These guys vary in color and “ways they piss you the fuck off”.  That second quality is key.  Now, your method of controlling the alien-catcher is to sort of lean the idevice, like you are gingerly erasing an etch-a-sketch.  If you don’t know what that is, your parents should be smacked.  Either way, I was using an iPad despite the fact that this game was meant for an iPhone.  That would make the game more responsive where I felt like I was wrestling a bull to the ground by its horns.  It added to the game itself, but for quality performance I recommend something with a smaller face-area.

And stay in that bubble!

And stay in that bubble!

Despite all this, the game was still a lot of fun.  Levels are small arenas with up to 4 aliens running amok, and you have to catch them by tapping them with your forcefield alien catcher.  You tap them and BAM! instant bubble.  Of course, if you are too slow to catch the others, they will free the ones you’ve already caught.  This causes issues as you have three green dots at the top of the screen.  Each time an alien is freed, the dots turn red.  If they all turn red, you lose and have to restart that room.  It gets frustrating, but there is a certain strategy to the game: yellow aliens just run around, kind of slowly.  They can be caught last.  The guys you want to go after first are the spitting purple aliens, which can pop bubbles from across the room, or the speedy green aliens.  To catch the speedy guys, you’ll need a speed boost, or you’ll have to get on the inside of their turn out of a corner.  The rest of them can be mopped up thereafter.  There are also red aliens with horns that you have to tap twice before catching, but they aren’t too fast, just a little annoying and take a bit of time.

Now, accomplishing three challenges in each room grants you stars.  These stars are required to progress to the next floor, each floor having more rooms than the last.  The challenges are Life, Order and Sparkles.  Yea, that sounds like the motto of My National Socialist Little Pony Party, but that’s because it’s not really called sparkles.  That is just what I call it.  See, when an alien is freed, you lose life.  Hence, no life lost gets you a star.  There is also a certain order you are “supposed” to catch the aliens.  If you get it right, you get another star.  Every time an alien is caught, it emits a cloud of little sparkles, which you then collect and store.  Get enough of these and you will get the.. um.. sparkle star.

This game also has some optional in-app purchases, and I can see how extensive play would necessitate a high-level of skill or concession to buying your way up the spacestation.  It isn’t in-your-face, but after each level, there are ads which take up the whole screen.  maybe on the iPhone it would be less irritating to eliminate them, but on the iPad the word ‘iPad’ and the wifi meter get in the way of closing the ad.  Grrr…  Not blaming the developer on that one, I am the guy using the giant older brother of the device this game is meant for.  The best part about this game, however, is that it is free on the app store.  You can get to the game through Panipurisoft’s site.  They also have a facebook page.

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I think I downloaded a broken version of this game, because there were no in-app purchases that I could find.  It terrified me.  I sobbed-heavily with my new found freedom to PLAY A FUCKING GAME!!!  It was majestic, it was awesome.  Thank you.  Thank you.

The game itself is pretty cool, too.  When I was in the military, I knew a Hawaiian gentleman who told us about his exploits with free-diving.  It sounded like he was evolving into a fish, honestly, and he has a general disdain for octopopuli.  I don’t know how to pluralize that, so fuck you, english.  Either way, it sounded like something intense and soothing at the same time.  Now, that gentleman only dove with a snorkel and a knife.  This game doesn’t have as much faith in your lung capacity.  You have a snorkel and a speargun.  Now, the much-needed tutorial feels a little basic, but it gives you what you need.  The controls are wonky as hell, but they make sense, and once you get used to them, they react well and make sense.  At first I was cursing mightily, but this game requires practice, honestly.  Putting a little time in sharpened my aim with the speargun and honed my agility with the diamond.. space… non-joystick.. of mystical..  That thing!  The fucking thing in the lower right hand corner!  That is what you use to control your diver! JEEZ!

DUN DUN.  DUN DUN. dun-dun dun-dun dun-dun dun-dun dun-dun.... oh you get it..

DUN DUN. DUN DUN. dun-dun dun-dun dun-dun dun-dun dun-dun…. oh you get it..

Now, the rest of the game orbits you in the form of the admittedly cluttered UI.  Starting top-left you have your level and lung capacity, bottom-left is the dive button over top the speargun trigger, center-right is a compass, further right is the.. ahem.. control reticule, tucked beneath the swim button.  Top-right you see the UI toggle and then your score.  Now, in a game where you swim with a spear gun, there should be no surprise you catch fish.  Of course, this ends up being like a low-tech alien abduction to them as they are speared and wriggle around until you reel them in.  The game process goes like this.

Just snorkeling here.  Nothing to see.

Just snorkeling here. Nothing to see.

You start in a third-person view.  Pressing swim will make you move forward while you control with the reticule, roving for prey.  Once you find a fish you want to go after, hit the dive button and slide down a little on the reticule.  Maneuver yourself until you are heading toward a fish.  As soon as you dive, a timer will come up on the screen, starting at the max for lung capacity.  As you hunt your prey, the timer ticks down.  If you let it tick out, you might black out before you can resurface, which freezes the game for a full minute, but it is tough to have it happen if you pay attention.

Once you start closing in on your prey, you will eventually see an exclamation point appear over their head.  Hit the trigger!  If you hit, you enter a battle-mode of sorts.  During this mode, you have to hold the reel button, which replaces the trigger after firing a spear, while the fish is stationary.  It will still be wriggling to get free, but it won’t be swimming around.  If you reel in while it is stationary, its life (a red bar) goes down.  If you reel in while the fish is swimming, your line’s strength (a blue bar) goes down.  If your line loses strength, you lose the fish.  Catch the fish and it adds to your score, and every 5 fish you’ll gain a level.  Each level will grant you one more second of lung capacity and you will also gain better gear!

Now gear has some stats of its own.  These are swim speed, gun strength, gun reach and … shaft speed.  They are all.. pretty self-explanatory.  Except that last one.  I am sure it makes sense and I am sure it’s relevant.  I have no idea what it does besides make me giggle incessantly.  It doesn’t help that I leveled up a bit and got Depth Max brand gear which has a high shaft speed and makes my gun stronger and shoot further.  I am so sorry it’s come to this.  Ok, let me get control of myself.

The art of this game is fantastic.  Each fishing area has its own challenges from increased depth to sharks.  I tried hunting the sharks, but their only real function is pissing you off, since they can eat the fish off your lines.  Fuckers.  Lucky this isn’t FarCry3.  I would C4 your ass in a heartbeat…  But each area is unique and has a sort of excitement, like you’ve found another great hunting spot.  The music is a sort of asian-keyboard reggae.  It is relaxing and enjoyable, but it’s odd.  Just listen to it, ok?  This game is worth its 1.99$ price, and if you like those outdoorsman games by Cabelas etc., you should try this out for a fresh new take.  I have never played a firt-person fishing game, but it is really fun.  I just hope this doesn’t get bought out by EASports or something.  They would fuck it all the hell up.  Of course, this might be cool on a Wii U or something.  The developer has a Facebook page here and a website, with free demo, here.

 

Rebuilding Our Culture : Where Do We Go From Here?

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(As a reiteration from my first article) From the outset, I need to say that this article is in no way connected to any of the reporting outlets for which I produce material.  Everything published herein is a product of my independent reading and research on this topic, and can only be said to be connected to those who choose to support it.  I will present my findings as objectively as possible.  I was up until 3am last night just reading and reading and reading about this situation and I am no more decided on this than I was at the start.  I will only explore the arguments and each side’s standpoint so those who have no idea on what is going on can at least get a picture of what is going down on the internet.  Again, this is in no way connected to any Games Journalism site that I develop and produce content for outside of my own. (reiteration ends here)

It’s out there.  Our gaming industry is severely corrupt.  Which makes sense, really.  We’ve all been staring at it directly in its ugly face and shrugged with a desultory sigh at the massive tangled web in front of us.  Why should we do anything else?  We are mostly responsible for the way the industry is now, as gamers.  But with so many of them and so many hands holding up their world, how could anyone dare to do anything?  At that time, we were all just playing games and didn’t want to care about it.  Now the pillars of our own internet community have turned into cruel elder gods, lording their power and cackling maniacally.

As I did in my article earlier today, here is a list of the articles involved in the media blitz attempting to label me, my wife, all of my friends (physical and virtual) and the majority of people I have known as misogynistic men who want to rape and pillage everything good in gaming.  This is my revised list of sites I will no longer visit.

Gamasutra – ‘Gamers’ don’t have to be your audience. ‘Gamers’ are over

Gamasutra – A Guide to Ending “Gamers”

Ars Technica – The Death of the “Gamers” and the Women Who “Killed” Them

Dan Golding – The End of Gamers

Polygon – An Awful Week to Care About Video Games

Kotaku – We Might be Witnessing the Death of an Identity

The Mary Sue – A Disheartening Account of What is Going On In Games Right Now (And How Adam Baldwin Is Involved)

BetaBeat – Feminist Video Blogger is Driven From Home by Death Threats

Financial Post – Sexism, Misogyny and Online Attacks: It’s a Horrible Time to Consider Yourself a Gamer

Jezebel – Misogynistic Trolls Drive Feminist Video Game Critic From Her Home

The Daily Beast – It’s Dangerous To Go Alone: Why Are Gamers So Angry

The list grew, and so does my disdain.  It is readily apparent that the tag of “gamer” is under direct assault by the gaming press.  I do not support harassment, and engaging in it is disgusting.  Were it that those who harassed Anita and Zoe could be found, it would likely help in some small way.  Recently a bunch of devs and journalists (including myself) got together and signed a petition to speak out against harassment.  Good.  It was signed by all the same people whose journalistic integrity is being called into question.  Not as sure…  PC Gamer tried to pawn it off as being directed at Anita’s harassers, but it is not.  They are now under review for addition to my list.  The petition just says:

“We believe that everyone, no matter what gender, sexual orientation, ethnicity, religion or disability has the right to play games, criticize games and make games without getting harassed or threatened. It is the diversity of our community that allows games to flourish.”

But there is derision among devs themselves as to whether this is the solution or not.  While I am not inclined to throw out names, I will say that the discussion is on Twitter.  Go see for yourself.  Many who disagree with the “popular crowd’s” petition have been signing a petition by Boogie 2988 entitled Gaming Industry – Please Stop The Hate.  I have signed and fully endorse this petition.  Sign it if you are not a misogynistic neckbeard that squeals with rage when things don’t go your way and sends death/rape threats to people.  I know I’m not.  The complete text of this petition reads the same as that above, with this addendum:

“We are asking indie developers, AAA developers, and other folks to stop branding gamers as neckbearded, misogynistic, hatefueled, ignorant, homophobic, idiots. While hate exists in ALL demographics, gamers are no exception.  However like most demographics, most gamers are kind, open minded, good hearted and love our fellow gamers. Stop the hate.”

One thing that is increasingly interesting about this all is the fact that everyone has just accepted male power-fantasy games as the norm for games.  Sure, it is fun to spend a day killing dudes and have extreme social freedom, but that is not all there is to gaming.  At some point, after the thousandth charge in Day of Defeat, someone got bored and wished there was something else to play.  Something fresh, something new!  Maybe even something artistic, or dramatic or made them feel something about who they are.  Something more than just killing dudes.

I’ll admit it: When I was a pubescent boy vibrating with a frenzy of hormones, I soaked it up.  I loved conquering and enslaving cities, laying enemies low and collecting my share of babes and loot, scarcely differentiating between the two.  Some times it is still fun to indulge heroic fantasies, meting out justice to evildoers, but often I want more.  Sometimes I want to laugh out loud, or explore what it means to be human.

Just because I am 28, doesn’t mean I have to give up gaming, but it sure is time gaming grew up with the rest of us.  Considering the audience that games have catered to until now, it’s no wonder their uproarious caterwauling is visible across the internet, but the rest of us are pushing back.

A gamer is what I am, and I shouldn’t have to be ashamed of it.  I grew up playing video games and I have been on many adventures and military campaigns.  What I have experienced in games has always been something I take with me because I experience the story alongside the character.

Some years ago, there was a show called Battlestar Galactica based on an older show from the 80’s.  It was so poignant in its messages about culture and society that the actors were invited to speak to high school students at the UN.  While there, on of the actors, Edward James Olmos, said the following:

“You are what you eat, you are what you think and you are what you do.  If you use technology […] to pass the time and get caught up inside of the game world, then you’re going to be in a game world”

Now EJO was using this opportunity to pass on some archaic beliefs about games, and that is they’ll probably destroy your life.  But they cannot even start to understand just how right he was and in what manner.  Some of the ways I think about my job are in the sense of a game.  I sell products to get a higher score, if I sell several products at once it’s called a cross-sale bonus and if my team makes its goals, we get a payout as our loot.  Seriously, this is how I look at my regular job.  Of course, you have to make sure you do it right to suit the customer or you lose some of your hard-earned loot, so integrity is important.  In the occupation of games journalism, however, integrity has fallen by the wayside, and this is the reason for the backlash.

No words, Viv, I know.

No words, Viv, I know (Found on DeviantArt. Art by Ilikepieism)

Now the big issue is about what we do now that this ivory tower of gaming has erupted like a cesspool atop a live volcano.  Well, I would support a full upheaval of their system, since they are trying to destroy our culture.  And yes, they want it destroyed and, somehow, they will rebuild it atop the bones of gaming to be a little puppet that will do their bidding, bowing down to their every word.  That is not how it works.  As I have, please consider boycotting the sites listed above (Polygon, Kotaku, Ars Technica) and others that refuse to uphold the journalistic integrity they should stand by.  I don’t trust them anymore where once I loved them like my big brothers.  I am not just saying this because it might benefit me, I am saying it because we could hold new faces to this promise easier under the figurative piked heads of their predecessors.  Just putting this out there, though.  I consider myself to be a gamer, but I also think of myself as a hobby journalist.  I am not saying that ALL game journalists are a problem: just the one espousing hate and printing a storm of articles about how gamers are the devil, and gamers are over, etc.

Even Vivian James is coming under attack, and you know what?  I love her.  I am considering getting her tatooed on my arm because she doesn’t represent misogynistic assholes who want to see feminism fume over feminist support for their cause.  Vivian James, at this point, represents female gamers, the accountability of games journalists and, personally, my wife.  Hopefully my daughters will likewise love games like her, even though there is no way they’ll be ginger.  As a result, my wife agreed to dress up in her own version of Vivian’s customary garb and I took a picture of her.  Here is the picture.

I love her

Love my lady

She agreed to do this, not because I tricked or forced her into it, but because she loves games and thinks this whole thing is just stupid.  Not to mention she did a great job with it X D!  Vivian was accepted by The Fine Young Capitalists as a symbol of women in gaming, and here she is, my lady in gaming.  This is what Viv represents.  And she is just as confused by all this as I am.  This is not the story of sexism, it is a story about journalistic integrity.  The Fine Young Capitalists had to deal with their own horrifying ordeal at the hands of the popular crowd of games writers, and now they are almost at their goal of 70,000$ to make game development a reality for female gamers.  To create something that represents them in gaming and what they are capable of.  It is awesome.  Please support them on IndieGoGo, I know we did.  Adam Baldwin did, and he has nothing to do with games, really.  If you like TFYC and what they are doing, and your gamer girls do too, ask them to dress up like VivJ and tweet them with the tag #TFYVivians!

On Reddit, several threads have begun exposing instances of  corruption in games journalism.  There is one here.  Then there are also people on Reddit talking about how we should be taking this situation.  You can read that here.  Not sure that you know how you can contribute, or even how to discuss this situation?  Check out this video, here.  Even just talking about this and propagating about this discussion and what it is really all about will help keep it in the front and center of our culture.  Check out this article about the things you need to know for a thorough update if you aren’t sure!  Ours is a culture of diverse characters and stories, ours is a culture of inclusion and ours is a culture of tolerance.  It is time they learned that.  Just don’t do it in a way that will make #GamerGate look like a group of assholes and don’t do it in a way that is harassing and upsetting.  Most of us dealt with bullying throughout high school, like this guy says, so don’t start throwing it at people.  It sucks.

NYS-tweet

 

<update> One more way that I have been seeing people speaking out against this situation is through the use of #notyourshield.  Essentially, the above statement covers it.  Women and minorities have a voice in gaming.  Theirs is a strong voice that we want to hear.  Gamers accept and celebrate them because they have been here all along.  Games Journos just seem to have this idea in their heads that gamers are actually all just basement-dwelling neckbeards that feel entitled and special.  As a result of moral elitists using minorities and women as a crutch to hide the corruption in games journalism, men and women of all races are now using the hastag to call them out on their shit.  Check it out for yourself.  Seeing this response from gamers and the internet is beautiful.  We all game.  We all love to game.  It brings us together into something bigger than just ourselves, and gives is all a unified element of all our cultures that weaves us together like a tapestry.  Are you really going to fuck with that?  I will leave you with this image I found on the hastag.  It is awesome. </update>

hush

This is all evidence of video games growing up.  Video games are not just for young, adolescent boys, but something enjoyed by men and women of all ages.  My wife has Pokemon X in there.  Sometimes she plays Harvest Moon.  Sometimes she plays Farmville on her iPad.  And there are plenty of others, black people play games, hispanic people play games… anyone you can imagine these days has likely played a videogame.  This is why the gamer will never die: there are too many of us and our culture goes so far beyond just who talks about our games that we don’t need them.  They don’t define us, we define them.  When I heard Wil Wheaton speak at Pax East 2010, I loved him because he said games are an art.  But he also reminded us of one thing: Games don’t divide us, they unite us!  They are a force that brings this diverse group of people together and makes them all relevant to one another.  As a group we are now taking to the internet and saying that this is who we are.  So what if Vivian James was created by 4 Channers, some of which might deserve the flak from Gamasutra and others?  She is a symbol of hope, not hate.  Unlike what the games industry has shown toward us.  I just want to reiterate, not all games journalists are the problem.  There are plenty in the lot.  Just like with gamers, there are just a number of bad apples.  But in the case of major, culture-influencing journalists: there aren’t many good ones right now.  This is directed at them.  Thanks for reading this tirade.  It is, in most ways, a collective release of all my frustration over this.

There is Something Rotten in the State of Gaming

GJshitstorm

From the outset, I need to say that this article is in no way connected to any of the reporting outlets for which I produce material.  Everything published herein is a product of my independent reading and research on this topic, and can only be said to be connected to those who choose to support it.  I will present my findings as objectively as possible.  I was up until 3am last night just reading and reading and reading about this situation and I am no more decided on this than I was at the start.  I will only explore the arguments and each side’s standpoint so those who have no idea on what is going on can at least get a picture of what is going down on the internet.  Again, this is in no way connected to any Games Journalism site that I develop and produce content for outside of my own.

Figuring out where to start with this is difficult as even placing one argument above another in a list-type article could be construed as preferential.  However, since this is turning into a war between gamers and those reporting on the games we love, I will start with the gamers.  Hell, I am a gamer myself.  My biggest concern is the “Death of the Gamer” as it is being coined and the “Death of an Identity”.  On this topic I am a little upset, since I have always called myself a gamer.  I am.  I grew up playing video games and gaming has gotten me through some tough times.  I tried to walk away from it, but it is so key to the things I love that I couldn’t do it.  Across the past couple weeks, however, numerous games reporting sites have put up articles blatantly stating that the Gamer is dead.  I have filtered these through DoNotLink to avoid directing clicks to them.

‘Gamers’ don’t have to be your audience.  ‘Gamers’ are over. – Gamasutra

A Guide to Ending Gamers – Gamasutra

We Might be Witnessing the Death of an Identity – Kotaku

The Death of the “Gamers” and the Women Who “Killed” Them – Opposable Thumbs

The End of Gamers – Dan Golding

So we’re over?  That’s it?  Honestly this just seems like the most childish smear campaign ever.  Gamers will never be over.  As long as there are games, and people growing up playing them, gamers will be alive and well.  I love how they didn’t say the “death of misogyny in games” or “the cleansing of gamer culture”: They just outright attacked everyone that plays games.  It is disheartening, honestly.  I will no longer be granting these people ad revenue by directing links to their site, I will start using DoNotClick to send readers there without adding to their viewing statistics.

Now they make some valid points here.  Harassment is messed up for any reason.  If anything, people deserve to be allowed to keep some things to themselves, and their personal lives should be the big one.  So, I don’t care who it is, harassing people for any reason is insidious. If you are trying to destroy someone’s credibility, harassing them will only provide them with a wall of anger and hatred to champion a cause against.  This, in turn, only grants them a valid soapbox to stand on, especially if you end up having a serious effect in their real lives.

The most powerful accusations in this situation come from the gamers themselves, actually, and it seems to be the reason gamers are so incensed over this.  These accusations are pretty thoroughly summed up by the Internet Aristocrat, focusing primarily on Zoe Quinn.  When I first saw this guy’s video, I thought he was just another hate-mongering asshat with a silly wig; but seeing some of the evidence presented, he makes a compelling argument.  If any of what he says in his video is remotely correct, then there is definitely something really ugly hiding in games journalism.  Of course, the video also makes some leaps in logic, such as not wondering if the ZoePost Blog was entirely true and not just the rantings of a jilted ex.

Now he says a lot in there, including that Zoe Quinn has single-handedly been able to manipulate all of games journalism with the magic power of her vagina.  Now that is a tall order, but if something wasn’t true about the level of journalistic integrity being called into question, why would Kotaku and Polygon both alter their policies on Journalistic Transparency in response?

Another big name at the center of this controversy is the girl at the top left of the banner for this article.  Her name is Vivian James.  She is a character created by 4chan (note her hair adornment) to represent females in gaming.  She was adopted by The Fine Young Capitalists.  They are creating a Game Jam where female gamers submit game ideas and TFYC work with developers and artists.  These games are then sold and the proceeds go to charity.  The really bizarre thing here is that 4Chan is known for being a haven for those with anti-feminist and anti-inclusion beliefs.  VICE.com recently posted an article about Vivian where they actually defame Vivian as being created for the sole purpose of spiting feminists. I also find her initials mildly comical since they sound like a euphemistic term for a woman’s.. ehem.  You get the gist.  Personally, I like Vivian since she resembles my own wife, who plays 3DS, iPad games and loves Mountain Dew all whilst wearing hoodies.

Major internet games media has a lot to answer for, really, but if there is some element of journalistic integrity that needs to be called into question, it should be openly discussed and investigated.  Harassing people is always wrong, and my heart goes out to those that have suffered in the wake of this shitstorm, because it honestly is a shitstorm.  There are plenty of people, famous and small-time, who want to see this situation calm down and seek to peacefully support progress in the direction of an inclusive gamer culture.  Support The Fine Young Capitalists and their IndieGoGo Campaign. Contact people and tell them it is time for transparency and serious discussion about inclusive gamer culture.  But don’t let the raging flame war continue, because it is hindering progress.  I know that I will no longer be reading Kotaku, RPS, Polygon and others since I no longer know who I will be able to trust.

Some things that have come out of this, however are good.  First, The Fine Young Capitalists are at 71% of their goal.  Second, girls in gaming now have a character, albeit fabricated by 4Channers, that represents them.  Honestly, someone should inspire them to make characters representing various faces contributing to gamer culture and turn it into a webshow.  There is also a petition being signed by developers, gamers, social media outlets and others that calls for combating internet harassment.  I don’t need to tell you that is a good thing, but as long as it is enforced equally there shouldn’t be a problem.  PC Gamer tried to say it was signed to support Anita Sarkeesian, but the letter itself just states:

“We believe that everyone, no matter what gender, sexual orientation, ethnicity, religion or disability has the right to play games, criticize games and make games without getting harassed or threatened. It is the diversity of our community that allows games to flourish.”

And they are right.  I would have signed this thing myself, but it was closed by the time I found it. (UPDATE: it has come to my attention that I did, in fact, sign this petition.  While some have said it might be a petition of the “major people” involved, the message is still one I wholly endorse. I remember sending my name in, but I also thought I was too late and not important enough anyways. My thanks to Vlak for the ) Finally, and most importantly, people are calling for gaming journalists to be held accountable for their actions.  To this measure, I will share with readers the games and campaigns that I have supported via Kickstarter and IndieGoGo.  Some I have already openly mentioned my contributions to, others not so much.  Either way, here they all are:

Elysian Shadows – I funded them worth 50$ and wrote an article about their game.

Goblin Quest – I funded them worth about 50$, but it is based in the UK, so I really gave them 30£.  I haven’t written an article on the tabletop yet, but I am considering doing so once I get my hardback copy of the book.

Beguile – I funded them worth 59$, which was about 65$ Canadian after shipping outside Canada and exchange rates applied.

Redneck Assassin – I funded them worth 15$ since I was really poor at the time.  I haven’t reviewed the game, but I plan to once it is finished.

The Fine Young Capitalists – I funded them worth 25$ and haven’t done an article on them.  I probably won’t write an article, but I think what they are trying to do is noble and pretty freaking cool.

I don’t think there is a problem with supporting campaigns that I like, especially when they’ve made so much already that my contribution is just a drop in the bucket.  From now on I will be posting how much I have contributed and whether I have a plan to do so, but sometimes it is just a spur-of-the-moment decision. And that is honestly it.  This is really all that I have to say about this topic for now, so hopefully it has been informative and gives readers that are still confused about this situation an idea of the arguments on both sides.  There will be more to come, including my own strong-armed opinions, but for now, objective discussion.  As per usual, I will be creating a topic to discuss the situation on my Steam group, Crotchety Gamers United.